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Classical concerts featuring
Richard Egarr

Overview

Quick overview of musician Richard Egarr by associated keywords

CitiesFrequently performs in

Essen
Germany
Essen
2
Utrecht
The Netherlands
Utrecht
2
Amsterdam
The Netherlands
Amsterdam
1
The Netherlands
Den Haag
1
London
United Kingdom
London
1

ProgramFrequently performs

Johann Sebastian Bach
Works by
Johann Sebastian Bach
6
Joseph Haydn
Works by
Joseph Haydn
2
Ludwig van Beethoven
Works by
Ludwig van Beethoven
2
Wolfgang Amadeus Mozart
Works by
Wolfgang Amadeus Mozart
2
Antonio Vivaldi
Works by
Antonio Vivaldi
1
Works by
Evan Williams
1
Works by
Julia Perry
1

MusiciansFrequently collaborate with

Musician
Guy Cutting
6
Musician
Matthew Brook
6
Musician
Reginald Mobley
6
Musician
Rowan Pierce
6
Musician
Baurzhan Anderzhanov
2

New Arrivals

These concerts featuring Richard Egarr became visible lately at ConcertPulse.

Artistic depiction of the event

Jurriën Hamer about power

Sat, Feb 22, 2025, 11:00
TivoliVredenburg, Grote Zaal (Utrecht)
Netherlands Bach Society, Richard Egarr (Harpsichord), Richard Egarr (Leader), Rowan Pierce (Soprano), Reginald Mobley (Alto), Guy Cutting (Tenor), Matthew Brook (Bass), Jurriën Hamer (Writer), Maud Vanhauwaert (Poet), Lex Bohlmeijer (Presenter)
Churches are gradually emptying, yet everyone still needs moments of contemplation. Reflect with Bach is just such a moment. For each edition, the unconventional Flemish poet Maud Vanhauwaert, presenter Lex Bohlmeijer and the Netherlands Bach Society are joined by a different writer and thinker, to explore the universal themes of life and offer tranquillity through the music of Johann Sebastian Bach. Today’s theme is: power. With: Jurriën Hamer.In this Reflect with Bach, philosopher, lawyer and writer Jurriën Hamer reflects on the theme of power. His story is interwoven with parts of three cantatas by Bach that form the base for his magnum opus, the Mass in B Minor. Jurriën Hamer studied law and philosophy at Utrecht University. In 2022, he published his first book: ‘ Waarom schurken pech hebben en helden geluk: een nieuwe filosofie van de vrije wil’ (Why Villains Always Lose and Heroes Win: a new philosophy of free will). As a writer, speaker and moderator, he shows how philosophical ideas about justice, guilt and free will have a huge influence on our lives, in an accessible, humorous and inspiring way.This concert is part of the series Reflect with Bach.Please note: the spoken language of this series is Dutch.
Info & Ticket (www.bachvereniging.nl)

Upcoming Concerts

Concerts featuring Richard Egarr in season 2024/25 or later

Today
Artistic depiction of the event

Vivaldi’s Four Seasons

Wed, Jan 22, 2025, 19:30
Queen Elizabeth Hall (London)
Richard Egarr (Conductor), Richard Egarr (Continuo), Alice Ivy-Pemberton (Violin), Olga Pashchenko (Harpsichord)
The birdsong of Spring, the downpours of Summer, the frosts of Winter: everyone’s got their favourite bit of Vivaldi’s Four Seasons. There’s still nothing to match the sensation of hearing these four evergreen concertos performed live, and tonight Baroque specialist Richard Egarr and the LPO’s own Alice Ivy-Pemberton bring their shared energy to music that never gets any less fresh. But first, as part of our ‘Moments Remembered’ season, there’s a sideways look at what makes a classic: the Vivaldi-inspired Requiem by African-American composer Julia Perry, and Evan Williams’s playful, provocative piece that discusses his own place in classical music as a young African-American composer.Tickets for Vivaldi’s Four Seasons includes access to After Dark: Bluegrass with Alice Ivy-Pemberton after the performance in the Queen Elizabeth Hall Foyer. The After Dark performance is standing only.Please note venue.
Info & Ticket (lpo.org.uk)
February 22, 2025
Artistic depiction of the event

Jurriën Hamer about power

Sat, Feb 22, 2025, 11:00
TivoliVredenburg, Grote Zaal (Utrecht)
Netherlands Bach Society, Richard Egarr (Harpsichord), Richard Egarr (Leader), Rowan Pierce (Soprano), Reginald Mobley (Alto), Guy Cutting (Tenor), Matthew Brook (Bass), Jurriën Hamer (Writer), Maud Vanhauwaert (Poet), Lex Bohlmeijer (Presenter)
Churches are gradually emptying, yet everyone still needs moments of contemplation. Reflect with Bach is just such a moment. For each edition, the unconventional Flemish poet Maud Vanhauwaert, presenter Lex Bohlmeijer and the Netherlands Bach Society are joined by a different writer and thinker, to explore the universal themes of life and offer tranquillity through the music of Johann Sebastian Bach. Today’s theme is: power. With: Jurriën Hamer.In this Reflect with Bach, philosopher, lawyer and writer Jurriën Hamer reflects on the theme of power. His story is interwoven with parts of three cantatas by Bach that form the base for his magnum opus, the Mass in B Minor. Jurriën Hamer studied law and philosophy at Utrecht University. In 2022, he published his first book: ‘ Waarom schurken pech hebben en helden geluk: een nieuwe filosofie van de vrije wil’ (Why Villains Always Lose and Heroes Win: a new philosophy of free will). As a writer, speaker and moderator, he shows how philosophical ideas about justice, guilt and free will have a huge influence on our lives, in an accessible, humorous and inspiring way.This concert is part of the series Reflect with Bach.Please note: the spoken language of this series is Dutch.
Info & Ticket (www.bachvereniging.nl)
February 23, 2025
Artistic depiction of the event

Bach at his finest

Sun, Feb 23, 2025, 14:00
Theater De Lievekamp, Grote Zaal (Oss)
Richard Egarr (Harpsichord), Richard Egarr (Leader), Rowan Pierce (Soprano), Reginald Mobley (Alto), Guy Cutting (Tenor), Matthew Brook (Bass)
Which work did Bach regard as his finest? There’s a good chance it might have been the Mass in B Minor. This programme presents the foundations of this masterpiece: three cantatas that Bach used at the end of his life, in the Mass in B Minor.The originals of what is maybe the very finest of Bach’s work“For example, the ‘Patrem omnipotentem’ originated from Gott, wie dein Name, so ist auch dein Ruhm, the ‘Osanna’ from Preise dein Glücke, gesegnetes Sachsen, and the ‘Agnus Dei’ from Lobet Gott in seinen Reichen. Richard Egarr leads the ensemble in these originals of what is maybe the very finest of Bach’s work. Egarr is a true specialist in early music, with his roots in English choral music. He likes to approach the music as if he is discovering it on the spot. Fresh and flowing, with a starring role for the vocals.
Info & Ticket (www.bachvereniging.nl)
February 25, 2025
Artistic depiction of the event

Bach at his finest

Tue, Feb 25, 2025, 20:15
TivoliVredenburg, Grote Zaal (Utrecht)
Richard Egarr (Harpsichord), Richard Egarr (Leader), Rowan Pierce (Soprano), Reginald Mobley (Alto), Guy Cutting (Tenor), Matthew Brook (Bass)
Which work did Bach regard as his finest? There’s a good chance it might have been the Mass in B Minor. This programme presents the foundations of this masterpiece: three cantatas that Bach used at the end of his life, in the Mass in B Minor.The originals of what is maybe the very finest of Bach’s work“For example, the ‘Patrem omnipotentem’ originated from Gott, wie dein Name, so ist auch dein Ruhm, the ‘Osanna’ from Preise dein Glücke, gesegnetes Sachsen, and the ‘Agnus Dei’ from Lobet Gott in seinen Reichen. Richard Egarr leads the ensemble in these originals of what is maybe the very finest of Bach’s work. Egarr is a true specialist in early music, with his roots in English choral music. He likes to approach the music as if he is discovering it on the spot. Fresh and flowing, with a starring role for the vocals.
Info & Ticket (www.bachvereniging.nl)
February 26, 2025
Artistic depiction of the event

Bach at his finest

Wed, Feb 26, 2025, 20:15
Muziekgebouw aan 't IJ, Grote Zaal (Amsterdam)
Richard Egarr (Harpsichord), Richard Egarr (Leader), Rowan Pierce (Soprano), Reginald Mobley (Alto), Guy Cutting (Tenor), Matthew Brook (Bass)
Which work did Bach regard as his finest? There’s a good chance it might have been the Mass in B Minor. This programme presents the foundations of this masterpiece: three cantatas that Bach used at the end of his life, in the Mass in B Minor.The originals of what is maybe the very finest of Bach’s work“For example, the ‘Patrem omnipotentem’ originated from Gott, wie dein Name, so ist auch dein Ruhm, the ‘Osanna’ from Preise dein Glücke, gesegnetes Sachsen, and the ‘Agnus Dei’ from Lobet Gott in seinen Reichen. Richard Egarr leads the ensemble in these originals of what is maybe the very finest of Bach’s work. Egarr is a true specialist in early music, with his roots in English choral music. He likes to approach the music as if he is discovering it on the spot. Fresh and flowing, with a starring role for the vocals.
Info & Ticket (www.bachvereniging.nl)
February 27, 2025
Artistic depiction of the event

Bach at his finest

Thu, Feb 27, 2025, 20:15
Grote Kerk Naarden (Naarden)
Richard Egarr (Harpsichord), Richard Egarr (Leader), Rowan Pierce (Soprano), Reginald Mobley (Alto), Guy Cutting (Tenor), Matthew Brook (Bass)
Which work did Bach regard as his finest? There’s a good chance it might have been the Mass in B Minor. This programme presents the foundations of this masterpiece: three cantatas that Bach used at the end of his life, in the Mass in B Minor.The originals of what is maybe the very finest of Bach’s work“For example, the ‘Patrem omnipotentem’ originated from Gott, wie dein Name, so ist auch dein Ruhm, the ‘Osanna’ from Preise dein Glücke, gesegnetes Sachsen, and the ‘Agnus Dei’ from Lobet Gott in seinen Reichen. Richard Egarr leads the ensemble in these originals of what is maybe the very finest of Bach’s work. Egarr is a true specialist in early music, with his roots in English choral music. He likes to approach the music as if he is discovering it on the spot. Fresh and flowing, with a starring role for the vocals.
Info & Ticket (www.bachvereniging.nl)
February 28, 2025
Artistic depiction of the event

Bach at his finest

Fri, Feb 28, 2025, 20:15
Amare, Amare Concertzaal (Den Haag)
Richard Egarr (Harpsichord), Richard Egarr (Leader), Rowan Pierce (Soprano), Reginald Mobley (Alto), Guy Cutting (Tenor), Matthew Brook (Bass)
Which work did Bach regard as his finest? There’s a good chance it might have been the Mass in B Minor. This programme presents the foundations of this masterpiece: three cantatas that Bach used at the end of his life, in the Mass in B Minor.The originals of what is maybe the very finest of Bach’s work“For example, the ‘Patrem omnipotentem’ originated from Gott, wie dein Name, so ist auch dein Ruhm, the ‘Osanna’ from Preise dein Glücke, gesegnetes Sachsen, and the ‘Agnus Dei’ from Lobet Gott in seinen Reichen. Richard Egarr leads the ensemble in these originals of what is maybe the very finest of Bach’s work. Egarr is a true specialist in early music, with his roots in English choral music. He likes to approach the music as if he is discovering it on the spot. Fresh and flowing, with a starring role for the vocals.
Info & Ticket (www.bachvereniging.nl)
April 10, 2025
Artistic depiction of the event

Wiener Klassik

Thu, Apr 10, 2025, 19:30
Theater und Philharmonie Essen, Alfried Krupp Saal (Essen)
Lisa Wittig (Soprano), Nataliia Kukhar (Mezzo-Soprano), Mykhailo Kushlyk (Tenor), Baurzhan Anderzhanov (Bass), Philharmonischer Chor Essen, Essener Philharmoniker, Richard Egarr (Conductor)
Haydn's "Missa in angustiis," his only mass in a minor key, reflects the turbulent times of the Napoleonic Wars. Beethoven's Symphony No. 2, written as his deafness began, is surprisingly playful and full of contrast. Mozart's Symphony No. 1, composed at the age of eight, reveals a composer brimming with energy, imagination, and original ideas.
Info & Ticket (www.theater-essen.de)
April 11, 2025
Artistic depiction of the event

Wiener Klassik

Fri, Apr 11, 2025, 19:30
Theater und Philharmonie Essen, Alfried Krupp Saal (Essen)
Lisa Wittig (Soprano), Nataliia Kukhar (Mezzo-Soprano), Mykhailo Kushlyk (Tenor), Baurzhan Anderzhanov (Bass), Philharmonischer Chor Essen, Essener Philharmoniker, Richard Egarr (Conductor)
Haydn's "Missa in angustiis," his only mass in a minor key, reflects the turbulent times of the Napoleonic Wars. Beethoven's Symphony No. 2, written as his deafness began, is surprisingly playful and full of contrast. Mozart's Symphony No. 1, composed at the age of eight, reveals a composer brimming with energy, imagination, and original ideas.
Info & Ticket (www.theater-essen.de)